These latter are reifications of some aspect of information processing, and they are pictures that perform and receive actions. Other examples of pictorial attributes in writing are calligraphy or the icons on the Macintosh desktop. (much of Derrida's work is a criticism of this idea.presumably because the system which is supposed to be secondary has become so important.) see writing.Īn example of orchestrated simultaneity on the page is Blaise Cendrars' and Sonia Delaunay’s La Prose du Transsibérien et de la petite Jehanne de France, which combined poems, maps, and illustrations on a sheet two meters long. Through the process of phonetization and abstraction, writing becomes a secondary system depending on spoken language for its meaning. The bridge from picture writing to phonetic writing was the realization that picture elements could be identified with sounds in language. Picture writing, which is generally thought of as the historical precursor of phonetic writing, refers through stylized images. The arbitrariness is a result of the alphabet, referring to sounds in an arbitrary (and contextual) way, to the concept of the linguistic sign, which after Saussure, was described primarily as an arbitrary link between signifier and signified, and to the culture of the printed book, which has striven towards legibility through typographic simplicity and the exlusion of pictorial attributes to the page itself.īut at different moments in the history of writing, the surface has been endowed with pictorial qualities. The textual space of the printed page has come to be seen as arbitrary and self-contained.
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